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    is happening or what has happened to him.

    When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or

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    In the beginning of your story you have to grab your readers’ interest and sustain it till the end. Our hook is our character. Readers keep on reading to find out more about the character. To see what he’ll do in the story; how he’ll solve his problems. What his goals are and whether he’ll achieve them.

    And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

    The bond between readers and character has to be developed almost immediately.

    You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

    Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

    When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or

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    And because our character is the reason readers become hooked on our stories, establishing him at the start is a must in a short story. And it is essential to establish him at the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

    The bond between readers and character has to be developed almost immediately.

    You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

    Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

    When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or

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    t the start because we don’t have the capacity in our limited word length to introduce him at our leisure.

    The bond between readers and character has to be developed almost immediately.

    You might have a few characters though. How do you decide who your main character will be? A main character is one that drives the story.

    Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

    When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or

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    do you decide who your main character will be? A main character is one that drives the story.

    Think of it this way… If we were to take him away, there will be no story because it’s his story we are telling. The story will unfold by what is happening or what has happened to him.

    When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or

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    is happening or what has happened to him.

    When you establish who your main character will be, the next thing to do is to find which of your characters is in the best position to tell the story. Will your main character tell his story or will you give that role to another character?

    This is what we call Viewpoint and what we’ll see in more detail in proceeding chapters.

    Your main character isn’t necessarily the one who is telling the story; he might not even appear in our story ‘physically’ but will be there through the thoughts of others. So the viewpoint character might be a secondary character.

    Whoever is telling the story is the viewpoint character.

    The viewpoint character gives the coloring of the story. Whatever this characters says, we will believe. It may or may not be true, according to the main character, but because he isn’t there ‘physically’ to voice his opinions, we will have to take the viewpoint character’s word for it.

    In a novel you can play around with viewpoint. You can have several viewpoint characters. In a short story it works best with one.

    So your main character, whether he’ll be telling his own story or someone else will be doin

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