your own personal sound. You may make hundreds of phone calls a day and speak to as many people but when you start sounding like you are making phone call number sixty-one instead of approaching every call as if it’s the first and only call you will make today you have lDo you ever wonder what makes a person listen? What qualities make one’s message heard and understood? Even before the understanding process can begin you have to be heard and we simply don’t hear everything around us. Just like elevator music, we tune out sounds that are without variety, inflection, and interest. To capture someone’s attention you have to put interest into the rhythm of your sound.

We communicate everyday, with many people in equally as many ways. Indeed, communication can be overwhelming and tedious. But we all have meaning behind our communications and getting your message across is more the province of the speaker than it is the listener. You have control over how you are perceived and how well you are heard. Take back this control and bring order to a somewhat chaotic world of sounds, voices, and messages. Sorting it out and bringing it into a manageable perspective is a matter of putting interest in your voice and personalizing every communication experience.

Interest is the skill that requires you to orchestrate the rhythms of your own personal sound. You may make hundreds of phone calls a day and speak to as many people but when you start sounding like you are making phone call number sixty-one instead of approaching every call as if it’s the first and only call you will make today you have lo

are without variety, inflection, and interest. To capture someone’s attention you have to put interest into the rhythm of your sound.

We communicate everyday, with many people in equally as many ways. Indeed, communication can be overwhelming and tedious. But we all have meaning behind our communications and getting your message across is more the province of the speaker than it is the listener. You have control over how you are perceived and how well you are heard. Take back this control and bring order to a somewhat chaotic world of sounds, voices, and messages. Sorting it out and bringing it into a manageable perspective is a matter of putting interest in your voice and personalizing every communication experience.

Interest is the skill that requires you to orchestrate the rhythms of your own personal sound. You may make hundreds of phone calls a day and speak to as many people but when you start sounding like you are making phone call number sixty-one instead of approaching every call as if it’s the first and only call you will make today you have l

all have meaning behind our communications and getting your message across is more the province of the speaker than it is the listener. You have control over how you are perceived and how well you are heard. Take back this control and bring order to a somewhat chaotic world of sounds, voices, and messages. Sorting it out and bringing it into a manageable perspective is a matter of putting interest in your voice and personalizing every communication experience.

Interest is the skill that requires you to orchestrate the rhythms of your own personal sound. You may make hundreds of phone calls a day and speak to as many people but when you start sounding like you are making phone call number sixty-one instead of approaching every call as if it’s the first and only call you will make today you have l

orld of sounds, voices, and messages. Sorting it out and bringing it into a manageable perspective is a matter of putting interest in your voice and personalizing every communication experience.

Interest is the skill that requires you to orchestrate the rhythms of your own personal sound. You may make hundreds of phone calls a day and speak to as many people but when you start sounding like you are making phone call number sixty-one instead of approaching every call as if it’s the first and only call you will make today you have l

your own personal sound. You may make hundreds of phone calls a day and speak to as many people but when you start sounding like you are making phone call number sixty-one instead of approaching every call as if it’s the first and only call you will make today you have lost the interest in your voice.

The most exciting and vital pathway to making a human connection comes from your voice and the interest you invest in your voice. Interest is attained through the subtle pacing, volume, emphasis, and inflection in your voice. When you approach every conversation as if it is your first connection and that your message is vital you need to illustrate that in your voice. By adding emphasis, a pause, or slower pace you forever imprint the words that you are speaking. Make your words a personal expression.

Making a human connection is an accomplishment of huge proportion and we need to honor and value each connection. When you speak to someone with interest in your voice you honor the listener and validate the importance of the communication process. When you speak in a steady monotone, void of infection and variety, you are just another sound to your listener and any hope of communicating meaning is lost. Just like elevator music, your sound is simply tuned out and any substance is gone. You can make your sound a symp